Message-Id: <5.1.0.14.0.20011102223923.00ac21a0@mail.m.iinet.net.au> Date: Fri, 02 Nov 2001 22:41:09 +0900 To: seiyuu@ml.usagi.org, From: Michael Studte Subject: Re: The Evolution of (Female) Seiyuu In-Reply-To: References: <93.128c4388.2911e90b@aol.com> Reply-To: seiyuu@ML.usagi.org X-ML-archive: http://www.win.ne.jp/~doi/ML/ Precedence: bulk At 06:18 AM 11/1/01 +0000, Joe Petrow wrote: >Stage 4B: After a long and distinguished career as a seiyuu, they >have so much experience that their value rises to a level that is too >expensive for most companies to afford. Pretty much the only thing >left for them in NHK Public Television Children's shows. This is >the path taken by Mitsuishi Kotono, Hisakawa Aya, Koorugi Satomi, >and many others. Mitsuishi Kotono is still quite active. She's in SUGAR as Ginger, the Rain Mistress. ^_^ -- +-Madoka---Noa---Amelia---Yohko---Nanaka---Lala-+ | Michael Studte, living in Tokyo, Japan | | Besides that, it's all in the reflexes. | +---Minami---Megumi---Hiromi---Masami---Reiko---+